STA124 | Uriel Villalobos | Chicxulub

Uriel Villalobos is a soundtrack composer and sound designer since 2009, with more than 30 film productions containing his work. His compositions appear in fiction feature films, documentaries, animations, and short films with which he has obtained multiple international awards, including the horror film 1974: The Possession of Altair, valued for its sound design. He…

STA123 | A. M. | Origen

Origen, the debut EP from A. M., Guadalajara based electronic music producer Alex Magaña, was born out of the idea of creating an expanding and hazy Muzak soundtrack. It is the result of breaking melodies, textures and musical passages, sampling old LP’s from the 70’s, Reader’s Digest collections, contemporary classical music and field recordings that…

STA121 | Uriel Villalobos | Tentli

Uriel Villalobos delivers his second composition for Static Discos, Tentli, a modern composition full of brilliant meditation and sonority, a continuation of his previous sound exploration Tloque Nahuaque. Tentli also has a Spatial Audio mix on Dolby ATMOS. Villalobos explains to Soundcheck:Magazine about his creative process: “the possibility that this type of mix gives you…

STA120 | Uriel Villalobos | Tloque Nahuaque

Uriel Villalobos is a soundtrack composer and sound designer since 2009, with more than 30 film productions that have included his work. His compositions appear in fiction feature films, documentaries, animations, and short films with which he has obtained multiple international awards, including the horror film “1974: The Possession of Altair”, valued for his sound…

STA117 | Doreem | Iterations Felidae

Deep and whimsical imaginary video game soundtracks for feline entities is the core of Doreem‘s Iterations Felidae, her latest release for Static Discos. Mexican music writer David Cortés wrote on Nexos Magazine that from its brighter cover, Iterations Felidae seems to include less gloomy sounds than its predecessors; but we immediately realize that it is…

STA113 | Doreem | Nocturnina

Doreem (Tania Pomar, México City) returns with her second release for Static Discos: Nocturnina EP, a gothic opera in five acts, which also serves as a possible soundtrack for the cosmic winter solstice happening at the end of a strange and uncanny 2020. With magick in the air, Doreem carefully constructs a minimalistic synth-melodic narrative…

STA109 | Doreem | Seelen

15 years ago, Doreem (Tania Pomar, México City) created part of the music in this release for Pilar Gallegos‘ dance company performance of “Sin Título”. Alongside other music from that era, Doreem’s debut album for Static Discos weaves a collection of soundtracks for imaginary beings. If the premise for Gallegos‘ performance was the tale of…

STA110 | Braulio Lam | Dream Lens

A deep and soft journey through the lens of Mexican electronic music producer Braulio Lam, an ever changing sound environment where the focus is the light that filters in between dreams and reality. His fourth release for our label, the 25 minute track Dream Lens, finds Lam in meditative form, creating a foggy narrative that quietly stretches…

STA104 | Concepción Huerta | Personal Territories

Concepción Huerta’s “Personal Territories” is a work that sonically narrates two fictionalized stories in parallel, two sites dealing with human invasion as its main theme. Site one explores sound based on a story of human’s pursuit of territory invasion. Territories humans invade when there is ‘other’ to the territories deemed colonizable. Site two uses sound…

STA089 | Vlisa | Little Bird Tell Me A Story

A rhythmic ambient suite by Vlisa, Argentinean producer Ramiro de la Cruz Larrain of Microesfera. A collection of soft panoramic exercises, which according to Larraín, “were produced with digital techniques mixed with modular systems and simple patches”. For this album, Larrain wasn’t trying to go deep into production and the detailed composition he does with…

STA086 | Camille Mandoki | We Used To Talk For Hours

We Used To Talk For Hours is the debut album by Camille Mandoki, a collection of songs and sound explorations. Through sound manipulation, improvisation and songwriting, Camille Mandoki achieves depth and melancholic expressions that go beyond pop stylings. Mandoki’s vocal dynamics and musical sensibilities reach a non place that is optimal for the space in…

STA071 | Fax | Pie de Página

The disappeared have become the footnote which bothers and interrupts the fictional tale of Mexico’s democracy and progress. The images of forgotten ruins located at Tijuana, Mexico, are inscribed with footnotes detailing a dispositive for forced disappearances. The ruins of three locations built by the organized crime with the purpose of disintegrating human bodies and…

STA051 | Rancho Shampoo and La Indian Gold Orchestra | El Vuelo Del Golondrino

Rancho Shampoo and La Indian Gold Orchestra are a music sect comprised of Rubén Alonso Tamayo, Rodo Ibarra, Hernán Franco, David Bautista Toledo, Julián González, Valentín Torres, Gerardo Montoya, Cristian Franco and led by the shaman Rancho Shampoo. This project was born in a village on the now mythical Sangrado de la Panocha Mountain near the…

STA046 | One Second Bridge | Demos

If those elusive moments of natural and instantaneous chemistry in music-making exist, then it happened with One Second Bridge, a music project formed by two young latin-americans residing in Barcelona at the start of the century, lead by Vicente García Landa (now in Fonogram) and Matias Bieniaszewski. One Second Bridge’s debut was released in 2006 by…

STA043 | Transgresorcorruptor

Static Discos is proud to release the debut EP of Transgresorcorruptor. Transgresorcorruptor is the experimental music project of Yamil Rezc, a Mexican musician and producer who has worked with Sub-Division, Hello Seahorse!, Zoe and Kampion. As Transgresorcorruptor, Yamiz Rezc took the sounds of a Harpischord and created three pieces that gradually expand, bounce, crash and collapse into…

STA011 | Murcof | Martes & Utopía

At the beginning of 2001, after leaving The Nortec Collective and producing multiple pieces for the dance floors under the name of Terrestre, the musician from Tijuana Fernando Corona (1970) decided to create Murcof. His intention was to continue weaving digital precision with acoustic warmth in an experiment with electronic and classical music in its…